How Gatwick Production Studios Built a World-Class Dolby Atmos Suite

How Gatwick Production Studios Built a World-Class Dolby Atmos Suite

Ever wondered what goes into building a world-class Dolby Atmos music studioโ€”from scratch?

Letโ€™s take you behind the scenes at Gatwick Production Studios (GPS), where a team of passionate engineers and visionaries have created one of the UKโ€™s most advanced immersive audio environments. This isnโ€™t just a room with some extra speakersโ€”itโ€™s a purpose-built, acoustically perfect space designed to bring music to life in 3D.


Why Build a Dolby Atmos Music Studio?

Brandon Knights, co-founder of Gatwick Production Studios, originally set out to build a live studio. But while working on the Pink Floyd exhibition at the V&A Museum, he was inspired to shift gears. He wanted something more immersive, something future-facing. Enter: Dolby Atmos.

They paused their original plans and began constructing a full-spec Atmos studio before Apple even rolled out spatial audio. Why? Because they saw Atmos not as a trend, but as the next big leapโ€”โ€œthe new stereo,โ€ as Brandon calls it.


The Vision Behind โ€œVisionsโ€: Making Music for Atmos

A standout moment in Gatwick Production Studios journey came when they worked with drum & bass artist AC13. The result? A track called Visions, built from the ground up with Atmos in mind.

AC13 wasnโ€™t just handing over stems. He reimagined his composition for the 3D environmentโ€”thinking beyond left and right, imagining sounds above, behind, and around the listener.

The outcome: a spatial audio track that not only sounds great on Apple Spatial and Amazon Music but fully showcases whatโ€™s possible when artists embrace the immersive format.

As mix engineer Zach Smithson put it:

โ€œYouโ€™re not compromising the sound of your instruments anymore. Youโ€™re not carving EQ just to fit it into stereo. Youโ€™re placing sounds exactly where they belong.โ€


Designing the Studio from the Ground Up

Technical Director Simon Ryder was instrumental (pun intended) in building the studio to Dolbyโ€™s Gold Standard:

๐Ÿ› ๏ธ Acoustic Design Highlights:

  • Custom Room Shape: Designed specifically around their monitoring system for optimal acoustics.
  • Massive Isolation: Multi-layered walls, floating oak floors, silent air conditioningโ€”nothing gets in or out.
  • Custom-Built Treatments: DIY bass traps and diffusers tuned with measurement mics and software.

โ€œItโ€™s not just quietโ€”itโ€™s beautifully flat. You hear the music, not the room.โ€


The Monitoring System: Zero Compromises

๐ŸŽง 9.1.4 Genelec Atmos Monitoring System

  • Front Mains: Genelec 8351s with W371A woofer standsโ€”acting as a single speaker with distortion-free bass down to 22 Hz.
  • Subwoofer: Triple 15-inch Genelec beast, flat down to 15 Hz, ideal for both music and film.
  • No Bass Management: Every speaker covers the full range, ensuring time-aligned accuracy.

And the alignment? Done with an Avid MTRX SPQ card and an 8-mic measurement arrayโ€”achieving near-zero EQ correction.


Behind the Scenes Tech Stack

  • DAWs: Primarily Avid Pro Tools, with Logic and Reaper also available.
  • Audio Routing: Dante protocol for 128-track send/receive to a separate Atmos renderer.
  • Monitoring Control: Digital Audio Denmark MOM system.
  • Remote Collaboration: Sessions with artists across Europe using AudioMovers.

Itโ€™s a studio designed not only for excellence but also for flexibility. From headphone-only orchestral mixes to full-blown theatrical Atmos, GPS can handle it all.


Atmos Is Hereโ€”And Itโ€™s Not Just for the Pros

What makes this even more exciting is how accessible Atmos mixing is becoming. While Gatwick Production Studios went all-in on specs, Simon emphasises that you donโ€™t need a mega-budget to get started. You can start exploring Atmos on headphones and work your way up.

As Brandon says:

โ€œAtmos brings back dynamics. You donโ€™t have to squash everything. You can let sounds breatheโ€”because now, youโ€™ve got space.โ€


Whatโ€™s Next? Taking It Live

The Gatwick Production Studios team isnโ€™t stopping here. Their ultimate dream? Taking immersive audio into live environmentsโ€”stadiums, clubs, and beyond. From stereo mixes in front-of-house racks to object-based audio floating all around the listenerโ€ฆ the futureโ€™s already being built.


Final Thoughts

Gatwick Production Studios shows what happens when creative vision meets technical precision. From custom acoustics to immersive artist development, itโ€™s a model for how modern music canโ€”and shouldโ€”be experienced.

Watch the full interview here:



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